Skip to main content

Ekta Kapoor's web series on same sex complexities to be launched on March 8

By A Representative 

#TheMarriedWoman, a web series to begin streaming on March 8, International Women's Day, on the app AlTBalaji and Zee5, is based on Manju Kapur’s novel “A Married Woman”, woven around complexities in same sex relationship. Published in 2002 and set in the 1990s, the story revolves around Astha, a dutiful wife and a doting mother, who sets out on a journey of self-discovery after she meets Peeplika Khan.
Astha, a young woman brought up in Delhi in a typical middle-class household, was forced to succumb to her parents finding her a husband in the traditional arranged manner. Set against the backdrop of communal unrest in India over Ayodhya, the story seeks to explore unrest within Astha's life. Her marriage becomes questionable after she involves herself in the outer world of rebellion and protest.
Astha meets Peeplika, a grieving widow of a Muslim protester, whom she had admired and who died in the violence in Ayodhya. There follows what has been called a torrid affair between Astha and Pipeelika: The two women cross social boundaries to find solace and understanding in each other’s arms. Kapur writes about sexual encounters without literary inhibitions.
Producer Ekta Kapoor writes on Twitter about the web series based on the much-acclaimed novel: “Creative spaces are at times compelled to conform to boundaries. As a creator I have challenged those norms, at times pushed the envelope. This is the freedom we crave, we celebrate. However, I am cognisant that freedom comes with responsibility.”
She adds, “That’s what my show is … creative freedom to tell a different story with responsibility towards my viewers while respecting the creative desires of my team”.
Ridhi Dogra, who makes her digital debut with the show, says, “It’s not just a story about two women and same sex relationship, it’s much more than that. As an artist I really didn’t have any inhibition. I think this is a huge opportunity for me, great space and I am so glad that I waited so long for this one.”
Monica Dogra, who plays the second lead in the show, believes, “I am super excited about this project as it’s my debut in the web space. I could not have asked for anything better than this for my digital debut. I have been known as a musician and for having played a few roles on the big screen, but this project gives me an opportunity to showcase my acting skills to the fullest.”
Giving details of the series, director Sahir Raza says: "This series is a beautiful project. The story that has been woven is fabulous. I am really glad that Ekta Kapoor and everyone agreed to let me be part of the project. It is such a different concept that most people would fall in love with it even when they read it on paper. That's what happened to me. I feel shows like these should be made for every format. Cinema shouldn't be molded by anyone's morality. I feel that love should not be put into any kind of a box.”
He adds, “We did workshops with Ridhi and Monica and then we had a very straight, open conversation with them about a few particular scenes, including the ones where the two actors had to kiss each other. We, including the crew, informed them that we would like to make such scenes comfortable for them and asked them to suggest us things that would make them comfortable.”
According to Sahir, “The two actresses came with the idea immediately that they would like to have a quiet and closed set with a smaller unit. We have had conversations about the creative aspect of it and there was not any hesitation on either of their part. They understood that they are playing certain roles and were mentally prepared to perform for the same.”
He adds, “In fact, they made it extremely comfortable for all of us to shoot it as well. They are talented, professional actors. The two of them brought a lot of nuance to the scene as well.”
The cast includes Suhaas Ahuja, Imaad Shah, Divya Seth Shah, Ayesha Raza, Rahul Vohra and Nadira Babbar.

Comments

TRENDING

राजस्थान, मध्यप्रदेश, पश्चिम बंगाल, झारखंड और केरल फिसड्डी: जल जीवन मिशन के लक्ष्य को पाने समन्वित प्रयास जरूरी

- राज कुमार सिन्हा*  जल संसाधन से जुड़ी स्थायी समिति ने वर्तमान लोकसभा सत्र में पेश रिपोर्ट में बताया है कि "नल से जल" मिशन में राजस्थान, मध्यप्रदेश, पश्चिम बंगाल, झारखंड और केरल फिसड्डी साबित हुए हैं। जबकि देश के 11 राज्यों में शत-प्रतिशत ग्रामीणों को नल से जल आपूर्ति शुरू कर दी गई है। रिपोर्ट में समिति ने केंद्र सरकार को सिफारिश की है कि मिशन पुरा करने में राज्य सरकारों की समस्याओं पर गौर किया जाए। 

'A tribal lifeline': Health rights group asks Gujarat governor to halt Vyara govt hospital privatization

By A Representative  In a strong appeal to the Governor of Gujarat, the National Health Rights Alliance (NHRA)—an initiative of the National Alliance of People's Movements (NAPM)—has urged the state to halt the ongoing move to privatize the Vyara Government Hospital and Medical College in Tapi district. 

Censor Board's bullying delays 'Phule': A blow to India's democratic spirit

By Vidya Bhushan Rawat*  A film based on the life and legacy of Jyotiba Phule and Savitribai Phule was expected to release today. Instead, its release has been pushed to the last week of April. The reason? Protests by self-proclaimed guardians of caste pride—certain Brahmin groups—and forced edits demanded by a thoroughly discredited Censor Board.

CASR urges immediate halt to Operation Kagaar, calls for peace talks with Maoists

By A Representative   The Campaign Against State Repression (CASR), a collective of over 40 civil society organizations, has issued a press statement demanding an immediate end to "Operation Kagaar" and alleged state-led killings of Maoist rebels and indigenous people in central India. The group also called on the central government to create a conducive environment for initiating peace talks with the banned Communist Party of India (Maoist).

Maoist call for peace talks: A democratic opening amidst state repression?

By Harsh Thakor*  The readiness of the CPI (Maoist), a banned organisation, for peace talks is seen as signifying a democratic gesture that should be welcomed by all who uphold democratic values. The ongoing conflict under ‘Operation Kagaar’ in Central India represents a clash between alleged state aggression and self-defence by oppressed communities. Critics argue that the Indian government has violated constitutional principles by promoting corporate expansion in Adivasi regions under the pretext of development, endangering the lives and livelihoods of local populations.

How Mumbai University crumbles: Not just its buildings

By Rosamma Thomas*  In recent days, the news from the University of Mumbai has been far from inspiring – clumps of plaster have fallen off the ceiling at the CD Deshmukh Bhavan, and it was good fortune that no one was injured; creepy crawlies were found in the water dispenser that students use to collect drinking water, and timely warning videos circulated by vigilant students have kept people safe so far.

Old bias, new excuses: How western media misrepresents India’s anti-terror strikes

By Gajanan Khergamker  The recent Indian military strikes on Pakistan, dubbed Operation Sindoor, have sparked a storm of international media coverage. Several prominent outlets have portrayed India as the aggressor in the escalating conflict, raising concerns over biased reporting. This commentary critiques coverage by foreign media outlets such as The New York Times , Reuters, BBC, and CNN, which have often been accused of framing India’s actions as escalatory while downplaying or omitting critical context regarding Pakistan’s role in fostering terrorism. By examining historical patterns and current geopolitical dynamics, this analysis highlights the recurring selective framing, omission of evidence, and a tendency to favor narratives aligned with Western geopolitical interests over factual nuance.

Kashmiriyat lives: Beyond the prime-time lies

By Rimmi Vaghela  I am Rimmi from Ahmedabad. I contemplated this blog on April 27, 2025 in Jammu, when my plans of revisiting the paradise called Kashmir were shattered—not by fear, but by circumstances and sorrow. I decided to share my story with a heavy heart, hoping it reaches those who still believe in the warmth of humanity over the divisive noise of prime-time media.

How the slogan Jai Bhim gained momentum as movement of popularity and revolution

By Dr Kapilendra Das*  India is an incomprehensible plural country loaded with diversities of religions, castes, cultures, languages, dialects, tribes, societies, costumes, etc. The Indians have good manners/etiquette (decent social conduct, gesture, courtesy, politeness) that build healthy relationships and take them ahead to life. In many parts of India, in many situations, and on formal occasions, it is common for people of India to express and exchange respect, greetings, and salutation for which we people usually use words and phrases like- Namaskar, Namaste, Pranam, Ram Ram, Jai Ram ji, Jai Sriram, Good morning, shubha sakal, Radhe Radhe, Jai Bajarangabali, Jai Gopal, Jai Jai, Supravat, Good night, Shuvaratri, Jai Bhole, Salaam walekam, Walekam salaam, Radhaswami, Namo Buddhaya, Jai Bhim, Hello, and so on. A soft attitude always creates strong relationships. A relationship should not depend only on spoken words. They should rely on understanding the unspoken feeling too. So w...

Naveen Gautam creates history, becomes first Dalit youth to moderate session at UN

By A Representative  In a historic moment for Communities Discriminated on Work and Descent, Mr. Naveen Gautam of the Global Forum of Communities Discriminated on Work and Descent (GFoD) became the first Dalit youth to moderate a session at any United Nations forum.