सीधे मुख्य सामग्री पर जाएं

A film industry splashed on public walls in Mumbai: a virtual art-lovers' paradise

By Gajanan Khergamker 

The walls adjoining the streets of Mumbai's Western suburb Bandra are strewn with art works depicting old Hindi films, graffiti and the works, converting the zone into a virtual art-lovers' paradise. The wall-paintings are impressively colossal in size, strategically placed and sure to leave an indelible mark in public memory.
The Street Art that has begun making pleasant appearances across Mumbai’s streets has been facilitated by the civic authorities and overseen by local politicians. With all permissions in place and authorisations, even financial support provided through non-profits involved in the venture, Mumbai’s Street Art completely overlooks issues of strife and sensitivity that feature on public walls in most other foreign cities.
Unlike French Street Artist James Colomina, who literally lives underground and refuses to even identify himself or his family for fear of reprise, the artists working across Mumbai’s streets feature, without fear, across media. Why, most of them are art teachers, commercial artists, some even out-of-work poster artists who have been provided livelihood by the surge in Street Art across India’s financial capital.
There is simply no element of conflict in the Street Art across the public spaces of Mumbai. There’s a slim chance of an artwork being politically incorrect or harming populist sentiments when all of it has to go through the fine comb of a local politician before being vetted thoroughly by the authorities before seeing the light of the day.
And, that, is the difference in Street Art in India. Not that it isn’t good or lacks punch. It’s just that it’s different. Positively different, colourful yet bordering on inane and socially irrelevant. “I wish I can use art to highlight the issues faced by my community, in time,” sums up Sapna Patil, herself belonging to the Agri community.

Figures on walls to lead the way

Look at Swaero Artist’s For Empowerment of Society (SAFE), an alumna of artists who studied in state-run social welfare schools and colleges who feel, “Education is the most powerful weapon which you can use to change the world”; "Swaero Bano-Hero Bano"; "If not now, when? If not we, then who?"
A tiny Dalit colony in Kollapadakal village of Maheshwaram that lies an hour away from Hyderabad registers the inspirational lines on a colourful mural that has become all-too-familiar to locals.
In different colours on the walls of homes, over 30 murals, featuring prominent world leaders, are popular selfie points in the area. The Street Art walls were inaugurated by senior IPS officer RS Praveen Kumar Swaero, the secretary of the Telangana Social & Tribal Welfare Residential Educational Institutions Society in 2020.
Interestingly, several murals of contemporary student achievers that include mountaineer Malavat Poorna, Kamatam Madhuri, Nemali Siddharth, Darshanala Sushma, Praveen Kumar IPS and Dalit billionaire Pagidipati Devaiah were also painted on the walls. And because, as the SAFE president feels "painting local figures will make students think to become one of them.”

Empowering marginalised with art to start anew

Literally transforming the face of Mumbai’s slums has been ‘Misaal Mumbai’ a slum painting and repairing initiative by artist, muralist and social worker Rouble Nagi started after ‘Paint Dharavi’ in 2016 in Mumbai where she, with her team, painted and water-proofed houses. The aim being not just to beautify the walls of the slums but to connect to people through Art and bring a positive change in their mindset.

Plugged as the first slum painting initiative in India, the Rouble Nagi Art Foundation painted and repaired 1,50,000 plus homes to date and are currently working in over 163 slums and villages across India.
Educating through art about the importance of children education, empowering women, creating job opportunities for youth, cleanliness, hygiene, sanitation, waste management, and children health in slums and villages, Rouble Nagi reaches out key messages through Street Art.
“Besides being a quick way to create visual impact, our projects employ people and give them a sense of ownership over the artworks they create in their own community while improving the condition of their houses,” says Rouble.
And now, with ‘Misaal Kashmir’ underway, the Mumbai-based artist with 800 murals to her credit and having organised over 150 exhibitions, is focusing on the youth of Kashmir. She believes that they need to navigate their lives with the vision of growth and positivity, stop following peers and politicians "if you feel they are leading you towards a negative path".
Along with her team, Rouble has been travelling through Watlab, Sangrama, Handwara, Langate and the rural belt of Pulwama armed with nothing but art and paints to empower women to generate a livelihood for themselves.
The village reformation project, 'Misaal Kashmir' helps artists transform the community by tapping the local creative energy. It’s part of the 'Misaal India' initiative launched in 2018. Rouble Nagi’s attempts are bearing fruit, slowly yet surely, heralding a new beginning for those for whom all seemed lost. (Part 5 of 6 | To Be Continued)
---
This report is part of The Art Of Cause Project - a DraftCraft International initiative that documents Art Projectsand Street Art campaigns that reach out, rectify and resolve strife, across the world

टिप्पणियाँ

ट्रेंडिंग

हिंदी आलोचना जैसे पिछड़ चुके अनुशासन की जगह हिंदी वैचारिकी का विकास जरूरी

- प्रमोद रंजन*   भारतीय राजनीति में सांप्रदायिक व प्रतिक्रियावादी ताकतों को सत्ता तक पहुंचाने में हिंदी पट्टी का सबसे बड़ा योगदान है। इसका मुख्य कारण हिंदी-पट्टी में कार्यरत समाजवादी व जनपक्षधर हिरावल दस्ते का विचारहीन, अनैतिक और  प्रतिक्रियावादी होते जाना है। अगर हम उपरोक्त बातों को स्वीकार करते हैं, तो कुछ रोचक निष्कर्ष निकलते हैं। हिंदी-जनता और उसके हिरावल दस्ते को विचारहीन और प्रतिक्रियावादी बनने से रोकने की मुख्य ज़िम्मेदारी किसकी थी?

ગુજરાતના સ્થાપના દિવસે યાદ કરીએ ભારતના વિશ્વપ્રસિદ્ધ ગુજરાતી પુરાતત્વવિદ્ ને

- ગૌરાંગ જાની*  આજે કોઈ ગુજરાતી એ કલ્પના પણ ન કરી શકે કે વર્ષ ૧૮૩૯ માં જૂનાગઢમાં જન્મેલા એક ગુજરાતી વિશ્વ પ્રસિદ્ધ બની શકે! પણ આપણે એ ગુજરાતીને કદાચ વિસરી ગયા છીએ જેમણે ગિરનારના અશોક શિલાલેખને દોઢસો વર્ષ પૂર્વે ઉકેલી આપ્યો.આ વિદ્વાન એટલે ભગવાનલાલ ઈન્દ્રજી. ૭ નવેમ્બર, ૧૮૩૯ ના દિવસે જૂનાગઢના પ્રશ્નોરા નાગર બ્રાહ્મણ પરિવારમાં તેમનો જન્મ થયો હતો. જૂનાગઢના એ સમયે અંગ્રેજી શિક્ષણની સગવડ ન હોવાને કારણે તેમને અંગ્રેજી ભાષાનું જ્ઞાન ન હતું પણ પાછળથી તેમણે ખપ પૂરતું અંગ્રેજી જાણી લીધું હતું.

Under Modi, democracy is regressing and economy is also growing slowly

By Avyaan Sharma*   India is "the largest democracy in the world", but now its democracy is regressing and its economy is also growing slowly. What has PM Modi's ten years in power brought us? Unemployment remains high. Joblessness is particularly high among India's youth - with those aged 15 to 29 making up a staggering 83% of all unemployed people in India, according to the "India Employment Report 2024", published last month by the International Labour Organisation (ILO) and the Institute of Human Development (IHD). The BJP-led government did not provide jobs to two crore youth in a year as was promised by Modi in the run up to the 2014 general elections.

नफरती बातें: मुसलमानों में असुरक्षा का भाव बढ़ रहा है, वे अपने मोहल्लों में सिमट रहे हैं

- राम पुनियानी*  भारत पर पिछले 10 सालों से हिन्दू राष्ट्रवादी भारतीय जनता पार्टी (भाजपा) राज कर रही है. भाजपा आरएसएस परिवार की सदस्य है और आरएसएस का लक्ष्य है हिन्दू राष्ट्र का निर्माण. आरएसएस से जुड़ी सैंकड़ों संस्थाएँ हैं. उसके लाखों, बल्कि शायद, करोड़ों स्वयंसेवक हैं. इसके अलावा कई हजार वरिष्ठ कार्यकर्ता हैं जिन्हें प्रचारक कहा जाता है. भाजपा के सत्ता में आने के बाद से आरएसएस दुगनी गति से हिन्दू राष्ट्र के निर्माण के अपने एजेण्डे को पूरा करने में जुट गया है. यदि भाजपा को चुनावों में लगातार सफलता हासिल हो रही है तो उसका कारण है देश में साम्प्रदायिकता और साम्प्रदायिक मुद्दों का बढ़ता बोलबाला. इनमें से कुछ हैं राम मंदिर, गौमांस और गोवध एवं लव जिहाद. 

Laxmanpur Bathe massacre: Perfect example of proto-fascist Brahmanical social order

By Harsh Thakor  The massacre at Laxmanpur-Bathe of Jehanabad in Bihar on the night of 1 December in 1997 was a landmark event with distinguishing features .The genocide rightly shook the conscience of the nation in the 50th year of Indian independence. The scale of the carnage was unparalleled in any caste massacre. It was a perfect manifestation of how in essence the so called neo-liberal state was in essence most autocratic. 

ભારતમાં જિસસ ક્રાઈસ્ટના દર્શન, ખ્રિસ્તી ધર્મના આગમનને કારણે સમાજ વ્યવસ્થામાં પરિવર્તન

- ઉત્તમ પરમાર  મારી કિશોર અવસ્થામાં કેટલાક ચિત્રો અને મૂર્તિઓએ હૃદયમાં એવું સ્થાન જમાવ્યું છે કે આજદિન પર્યંત  ઉત્તરોઉત્તર વિકસતું જ રહ્યું છે. પ્રેમ કરુણાના મૂર્તિમંત અવતાર  જિસસ ક્રાઈસ્ટને વધુસ્તંભે ચઢાવેલી મૂર્તિ  મારી કોઈપણ ધર્મ વિશેની સમજ નહોતી ત્યારથી મારા હૃદયમાં સ્થાપિત થયેલી છે. મારા ઘરની દિવાલ પર વધસ્તંભે ચઢેલા જીસસની પ્રતિમા જોઈને કોઈ મને પૂછી બેસતું કે તું ક્રિશ્ચન છે?

रैंकिंग: अधिकांश भारतीय विश्वविद्यालयों का स्तर बहुत गिरा, इस साल भी यह गिरवाट जारी

- प्रमोद रंजन*  अप्रैल, 2024 में भारतीय विश्वविद्यालयों की अंतर्राष्ट्रीय स्तर पर उच्च रैंकिंग की चर्चा रही। मीडिया ने इसका उत्सव मनाया। लेकिन स्थिति इसके विपरीत है। वैश्विक विश्वविद्यालय रैंकिग में अच्छा स्थान मिलने की खबरें, कुछ संस्थानों को इक्का-दुक्का विषयों में मिले रैंक के आधार पर चुनिंदा ढंग से प्रकाशित की गईं थीं। वास्तविकता यह है कि हाल के वर्षों में हमारे अधिकांश विश्वविद्यालयों का स्तर बहुत गिर गया है। इस साल भी यह गिरवाट जारी रही है।

नोएडा में मैन्युअल स्कैवेंजर्स की मौत: परिवारों को मुआवजा नहीं, प्राधिकरण ने एफआईआर नहीं की

- अरुण खोटे, संजीव कुमार*  गत एक सप्ताह में, उत्तर प्रदेश में सीवर/सेप्टि क टैंक सफाई कर्मियों की सफाई के दौरान सेप्टिक टैंक में मौत। 2 मई, 2024 को, लखनऊ के वज़ीरगजं क्षेत्र में एक सेवर लाइन की सफाई करते समय शोब्रान यादव, 56, और उनके पत्रु सशुील यादव, 28, घटुन से हुई मौत। एक और घटना 3 मई 2024 को नोएडा, सेक्टर 26 में एक घर में सेप्टि क टैंक को सफाई करते समय दो सफाई कर्मचर्मारी नूनी मडंल, 36 और कोकन मडंल जिसे तपन मडंल के नाम से जानते हैं, की मौत हो गई। ये सफाई कर्मचर्मारी बंगाल के मालदा जिले के निवासी थे और नोएडा सेक्टर 9 में रहते थे। कोकन मडंल अपनी पत्नी अनीता मडंल के साथ रहते थे। इनके तीन स्कूल जाने वाले बच्चे हैं जो बंगाल में रहते हैं। नूनी मडंल अपनी पत्नी लिलिका मडंल और अपने पत्रु सजुान के साथ किराए पर झग्गी में रहते थे। वे दैनिक मजदरूी और सफाई कर्मचर्मारी के रूप में काम करते थे।

प्राचीन भारत के लोकायत संप्रदाय ने कुछ परजीवियों की खूब खबर ली: प्रमुख प्रस्थापनायें

- राणा सिंह   भारत में परजीवियों का एक विशाल समूह है जो बोलता है कि “सब कुछ माया है”,  लेकिन व्यवहार में यह समूह सारी जिंदगी इसी “माया” के पीछे पागल रहता है।  प्राचीन भारत के लोकायत संप्रदाय ने इन परजीवियों की खूब खबर ली थी।

बिहार के ऐतिहासिक विक्रमशिला विश्वविद्यालय के खंडहरों की परिक्रमा का रोमांचक अवसर

- सुमन्त शरण  कुछ दिन पहले एक सुदूर ग्रामीण अंचल (पीरपैंती)  से तकरीबन डेढ़-दो घंटे की दूरी पर अवस्थित ऐतिहासिक बौद्ध विक्रमशिला विश्वविद्यालय (के अवशेषों) की परिक्रमा का अवसर मिला। विक्रमशीला विश्वविद्यालय की स्थापना पाल वंश के राजा धर्मपाल ने की थी। 8वीं शताब्दी से 12वीं शताब्दी के अंत तक यह विश्वविद्यालय भारत के प्रमुख शिक्षा केंद्रों में से एक हुआ करता था। कहा जाता है कि यह अपने कुछेक अत्यंत अनूठे नवाचार के चलते उस समय नालंदा विश्वविद्यालय का सबसे बड़ा प्रतिस्पर्धी था। हालांकि, मान्यता यह भी है कि अल्प अवधि के लिए दोनों विश्वविद्यालय के बीच शिक्षण एवं प्रबंधन के क्षेत्रों में घनिष्ठ पारस्परिक संबंध एवं शिक्षकों के आदान-प्रदान का सिलसिला भी रहा था। यह विश्वविद्यालय तंत्रशास्त्र की पढ़ाई के लिए सबसे ज्यादा विख्यात था। इस विषय का एक सबसे विख्यात छात्र अतीसा दीपनकरा था, जो बाद में तिब्बत जाकर बौद्ध हो गया। इसके प्रथम कुलपति ज्ञान अतिस थे।