Skip to main content

Goonga Pahalvan: A film on dedication of differently-abled champion, sports babudom

In a country that hardly produces world champions and Olympic medalists, Ahmedabad-based NGO group Drishti, which uses media and the arts to empower communities valuing their self-expression and human rights, has come up with a new documentary, “Googna Pahalvan”, highlighting the story of a man who, for the better part of his life, has been just that - a World Champion and a Deaflympics (Olympics for the Deaf) Gold Medalist. Drishti team has described the film (click HERE to see trailer) as “a story of grit, fierce dedication and hope”, adding it is “an attempt to make possible the dream of India’s most successful deaf athlete, his dream of making it to the Rio Olympics 2016.”
To be released at Natrani, Ahmedabad, on October 24, the film is a captivating account of the life Virender Singh, “snubbed by the bureaucracy but who is in no mood to let up as he continues to wrestle on”, to quote from a Drishti note. It is about “a man who has faced apathy and penury, scraping a living out of fighting traditional mud wrestling competitions against other able-bodied athletes and who never thought of giving up the sport, even in very difficult circumstances… He shows no signs of letting up but his eyes betray what he feels deep inside.”
Calling it a story of “a wrestler, a warrior and most importantly, a winner”, Drishti says, “The film delves into and tracks his life from the by-lanes of a small village in Haryana to becoming India's most successful deaf athlete ever and aims at fulfilling the long-cherished dream of every athlete; to go to the biggest sporting event in the world, the Olympics. On the way, it looks at all that he as endured and achieved through a glittering decade and a half long career.”
Based on Right to Information (RTI) appeals, the filmmakers “seek to find answers to tough questions about unequal treatment to differently-abled athletes and unequal opportunities at sporting events”, the note says, adding, “The PIL aims to help accrue the rewards and monetary assistance that an athlete of Virender’s stature must receive. This film and the simultaneous activism on the ground is an effort to bring about policy level change in the way Indian athletes, especially differently abled athletes, are treated.”
The film, believes Drishti, is “important” because it asks “tough questions” to the sporting bureaucracy in India, brings to light all that Virender has achieved and hopes that even if the bureaucracy doesn't wake up to his genius at least people of the country know about this smiling champion. “The struggle that Virender faces outside the wrestling arena is tough because inside the ring he is in total control and there aren’t too many fights that he loses. It’s the battles outside the ring that this film endeavors to make him win. India - Virender wants to hear from you”, it insists.
Wrestler Virender Singh is known to have emerged as India’s most successful deaf athlete. Yet, in wrestling circles, Virender’s real name is lost; he is simply called Goonga Pehelwan, or the mute wrestler. “It might seem like a politically incorrect name but the name represents a badge of pride —there are other deaf wrestlers in India, but only one Goonga Pehelwan. And to give you an idea of how successful he is, have a look at what he has achieved”, says Drishti.
Virender won India’s first and only gold medal at the 2005 Deaflympics in Melbourne, in 74-84kg freestyle wrestling, a silver medal at the second World Deaf Wrestling Championships in 2008 in Yerevan, Armenia, and a bronze at the 2009 Deaflympics in Taipei, Taiwan and a bronze at the 2012 World Deaf Wrestling Championships in Sofia, Bulgaria. That’s four medals at the only four international competitions Virender has been to. That is the measure of the success of this man.
“But that is not all. If the sports bureaucracy would have been more sympathetic to the cause of differently-abled sportsmen, Virender in particular, you might just have seen Virender at the Summer Olympics of 2008 or 2012”, Drishti says, adding, “For a man who has always fought able-bodied men, he is the only deaf wrestler in the Chhattarsaal stadium – Chhattarsaal stadium being the breeding ground for most Olympic hopefuls in wrestling…”
Highlighting all this, the film, says Drishti, is an attempt to campaign to help fulfill Virender’s dream to take part at the Olympics to take place at Rio de Janeiro in 2016. Calling it “Mission Rio16”, it adds, the film “aims to help Virender in his quest to reach the Rio Olympics 2016 by fighting the bureaucracy through a Public Interest Litigation in the Delhi High Court and trying to bring about a policy change that allows differently-abled athletes to go to the normal Olympics with other deserving athletes.”

Comments

TRENDING

The dye is caste in Gujarat

I think it was 1994 when I first met Japanese scholar Takashi Shinoda, an Indologist, during my routine visit to the Sardar Patel Institute of Economic and Social Research, Ahmedabad, at that time still known for some quality research. Once headed such academics of highest order such as DT Lakdawala and YK Alagh, the institute has since collapsed – at least this is what I learn from Gujarat’s academic circles, with whom I had developed good rapport before I was shifted to Gandhinagar to report on government affairs for the Times of India in 1997. Unassuming, Shinoda took me to the institute canteen for tea, and told me of his latest area of interest – social mobility and occupational diversification of different castes over several decades. What he told me was indeed of great interest to me – that Gujarat’s “enterprising” Patels, who I thought till then were mainly a farming community, had still not overtaken the Banias in business. However, he underlined, “The way things are happening...

Jay Somnath

Kanhaiyalal Maneklal Munshi This is what happened several decades ago, when I was a small school-going child. Every summer, accompanied with my mother, I would come down from Delhi to spend the two-month-long holiday at my maternal uncle’s place in the posh Panchvati area of Ahmedabad. Each weekend, my uncle would take us for a ride in his grand old black car. I think it was Chevrolet. I would wait eagerly for the weekend, as I had virtually nothing to do for the rest of the days. In the evenings, I mostly play in the open ground with the neighbouring children, but for rest of the time, as if, I was under strict, almost loving, control of my grandma, whom all of the children of the family called Baa. Especially after the dinner, which would be pretty early, she would make it a point to entertain us – mainly me and my cousin – by playing bezique. During one such summer, Baa decided to give us a strong injection of nationalism. She took in her hand Kanhaiyalal Maneklal Munshi’s well-kno...

China's hukou and India's caste: A comparison that ignores the Jianmin

The other day, I saw an interesting article, "Does China have a caste system or is it a figment of imagination of Indians?" It wonders whether "China, the world's manufacturing powerhouse and a socialist state governed by a Communist party", has a birth-based caste system that shapes access to education, healthcare, and opportunity.